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The first Indian film to be shown in competition at the Cannes Film Festival in 30 years
Synopsis
In Mumbai, nurse Prabha’s routine is troubled when she receives an unexpected gift from her estranged husband. Her younger roommate, Anu, tries in vain to find a place in the city where she can be intimate with her boyfriend.. Mumbai, one of the most cosmopolitan cities in the country, is home to Prabha and Anu, two employed nurses. The multicultural feel of the city is evident in the film’s opening scene, which features the voices of Mumbai locals in Bengali, Hindi and Marathi.
The aspirations and hardships of migrants in Mumbai are embodied by both ladies
With material shot in a documentary format, the film opens in bustling Mumbai, capturing the daily hustle and bustle of a metropolis of 22 million people. The voices of real workers who have moved to Mumbai in search of work are mixed with the vibrant cityscape. Prabha and Anu, both working in a busy hospital, Prabha as the head nurse and Anu as the receptionist, are the focus of the film. There is a hint of sadness in Prabha’s story; not long after the wedding, her husband went to work in Germany and they haven’t heard from each other since.
Their personal lives and more general social themes are intertwined in the story
However, Anu is involved in a secret romantic affair with a young Muslim guy, which will obviously cause criticism from her family, along with social pressures and Islamophobia, even in the biggest metropolis. Through their shared poetry and leisurely walks home from work, a fellow Malay doctor who struggles with Hindi offers Prabha a rare hope of tenderness and connection. Meanwhile, Anu navigates the complexities of her interfaith relationships amid mounting social tensions under Modi’s right-wing government. Kapadia’s film is a critique of the socioeconomic struggles faced by the working class in India.
Kapadia uses a film style that is both personal and broad
The subplot featuring Parvaty, a hospital cook who faces being thrown out of her own home where she has lived for years because she does not have the necessary documents, highlights the grim reality of the country’s recent political changes. The film’s more tender scenes, such as Prabha reading poetry by the lamp or being intimate with a rice cooker sent to her by her husband, contrast with the cacophony of Mumbai. In the third act of the film, the story moves from the hustle and bustle of the city to the peace and quiet of rural India. This shift provides an escape from the hustle and bustle of everyday life.